All things that grow are, this time of year, sending their
energy upwards, outwards – to grow, to fruit, to leaf, to disperse… This
includes myself, and I find the majority of my time is spent in simple
absorption and observation, rather than reflection and synthesis. That, and my
there is so much to do! The tomato plants are in, albeit a few days before the
ordained date of May twenty-first, the official ‘post-frost’ day in New
England. Today we sow kale and more lettuce, along with peas, as the first crop
has been thoroughly nibbled. Needless to say, we also have to build a fence.
But I still have the early mornings, and they are for birds.
This morning, specifically, was for thrushes. They are the sirens of the woods,
and I have been drawn in to no avail countless times. They dwell in the woods,
and are for the most part dull and rusty colored, and as such evade viewing
nine times out of ten. Ten out of ten for me – I’ve never seen a hermit thrush,
a wood thrush, or even a veery. They might be like an avian Echo, for all I
know, made up entirely of haunting, ethereal sound. Their voices are so
extraordinary they don’t need anything
else of note – one might think with voices as enchanting they’d have to be
dressed to the nines, with foot-long plumes and scarlet eggs or some such
thing. But that would be altogether too much. Leave the colors to the warbler
who sounds like a squeaky wheel.
Sometimes you’ll hear the thrushes without having to venture
off your path – wood thrushes can be heard along roadsides, and I’ve heard
veeries in more open wet places. Apparently hermit thrushes will come to trails
in the woods, but I’ve never seen one there. You can hear them a long ways off,
but I’ve found I have to get deeper into the woods to be really surrounded by their
song.
This morning I was the luckiest I’ve been listening to
thrushes. I sat on an old stump in a typical New England forest, beeches
wrapped around old barbed wire, clearings here and there from logged white
pines, low blueberries growing up in the openings… One can’t just go searching
for the thrushes – they’re sirens, recall. You don’t need to strap yourself to
a mast, or stump, but you do have to sit, and simply let them sing. As I
settled down the thrushes started up, first the veery to my left, all fluted
waterfall. The two words you’ll hear in any description of thrush song are
‘flute-like’ and ‘ethereal.’ Both are true, but they’re a bit vague. The veery
is four downward spiraling trills, the first two starting higher than the last
two. All thrushes sound like wind chimes, multi-toned and metallic, but the
veery adds a lovely courseness, and almost an urgency. Imagine those carved
wood frog instruments – when you rake their back it sounds like a frog’s trill.
Add that to a wind chime, and you’ve got the veery.
Then I heard the wood thrush, or three, coming from a bit
deeper in the woods. They sound like a wind chime giggling, though I’m told you
can listen for the definitive ‘ee-o-lay!” pattern within their rather tripping
call. Finally came the hermit thrush, the first I’ve heard this year. I’m
surprised – I thought I’d have to go a bit farther north to hear her in the
summer (they winter in the Carolinas). I’m thrilled, too, because their call is
undoubtedly my favorite. How do you possibly describe it? It might as well be
the eternal voice of the Woods herself. It is not urgent, or hurried, or really
even playful. It is better described as plaintive, though melancholy is more
apt. A long introductory note, the
flute, and then trace the chimes with your hand, but slowly. Mournful? Not
quite, it’s not the loon or the mourning dove. It’s more restful than that, and
it doesn’t ask a question. It is expressive, not seeking. And the magic therein
is that when you really, really listen to a hermit thrush’s song, she has
induced that very spirit in you.
It’s hard to hold on to that expressive stillness, with peas
to be planted and errands to be run. But the thrushes will hold it for us, and
we can return to the woods again another morning.
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