Monday, September 17, 2012

in fall


By the river the thrice-banded woolly one is a sparkling bristle, black so shiny it glows white, or luminous. I am too close and so it begins to curl, but I back off soon enough. It lifts its head apparent (it is perfectly symmetrical to my eyes), and rears, a tiny fuzzy sausage stallion.

And Hamlet arches to dip his stripes in the river, white flag tail rudder.

I pull one stiltgrass plant from the leersia.

Yesterday up the mountain we find molars and claws, tiny, in scat. Dried, white scat – just compact fur and bone. The pine needles are sharp on the bouldered sunlit summit, and the moss is lightening, letting go, now unhinged tiny carpet islands. At the vista, under sweet white pines, we watch two red-tails riding thermals. There are oaks at the top, too, and all seems thick and durable and dry and tannic. My lips begin to parch.

Under shade the boulders are soft enough with moss and needles, angled gently and we nap. There are whistles from a far-off playing field.

The descent follows stream-bed or game trails, no blazes, and we are in ferns and hemlocks, that “forest” green, and a toppled hop hornbeam taken by the grapes. It is tangled, and could be a dragon’s nest. One woodpecker. The last bridge is old and strong, with the numbers “548” in metal on one of the stringers – this great post lodged in earth and moss used to stand with hawks.

Monday, September 10, 2012

the end is the beginning


This is the new year, and the beginning starts with loss. A talk with a mediator who specializes in helping communities transition through loss and embrace new identities has me awestruck at seasonal coincidence.[1]

All around there is the subtle change in palette, now, a bronzing, the russet of an apple, but all over our woods. Here and there a young red maple has decided to dive deep and early, and is crimson from crown to trunk. The aspens are golden.

I was cold sitting outside today, feeling more distinctly the exact location of my furnace, decidedly not in my extremities. And a birthday poem by Mary Oliver spoke about the trees turning themselves to torches. The wind doesn’t set the trees to roaring, yet, like they will in October, when they will actually gesticulate by sending their own leaves falling. But they more than rustle, now – is there a word? It has sibilance to it, with an ‘x’ in there, too. It’s not raucous, yet.

But this is the beginning, this is my new year. Technically, too – seed is set, buds are born, and dormancy is merely growth, inside-out. We all know the wisdom of cycling, by now, but I’ve just begun to understand the importance of the order of it all. Now is when we plant our bulbs. Spring is resurgence: “re.”

The maple who decides to go for it, to burn up, to set its buds and immolate, has it right. It’s right there in the word: decide. Cidere, to cut. De, away from, out of, of, etc. To cut away. From the misty infinity of potential, choosing means loss. Beginning means loss. First the leaves let go, then comes the buds’ dormancy, then the leafing.

It is still taboo to grieve at the beginning, because, I think, grief gets mistaken for a lack of gratitude. Just like when we’re scolded for feeling angry – how ungrateful. But the loss is right there, and often it’s first, and when it’s holding us, begging to be seen, our energy can’t go into what’s been chosen.

Like how we prune our apple trees, cutting the water sprouts, those endless, perfectly vertical spikes you can see on a neglected old tree. And corn suckers, and calendula blossoms, like lilac sprays. Prune them, direct the energy, and multiply the fruit. Deciding to bear fruit, and bear it well, means choosing, and that means cutting. Which always, always needs to heal.

What if weddings, those ultimate cultural beginnings, recognized the necessary end and accompanying grief that comes with something new? When you choose your person, you cut away all other potential. What if this were acceptable to acknowledge, and made the choice wiser, sweeter?

My dear friend Cella described to me looking into the face of her newborn, and the depth and purity of the sadness, and the love, that welled up- it was magnificent and overwhelming. I wonder, and it’s just wondering, that even at the very beginning, that extraordinary, finite specificity of a new being brings the understanding of loss. I have no idea what this means. I just marvel at the maple trees.


[1] See Ken Downes Consulting, www.kendownes.com